Tavie
dave foley
mark mckinney
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blogs i like:

amy
andrew
carl
barb cooking blog
boing boing
caroline
cartoon brew
chris
cityroom
consumerist
erin
gena/ deadly stealth frogs
gothamist
jim hill
kids in the hall lj
kithblog
matt k
mike t
nathan
post secret
rynn
sarah
sarah c
sean
tea rose
toby
tom


webcomics i read:
american elf
american stickman
elfquest
lolcats!
masque of the red death
the perry bible fellowship
toothpaste for dinner
ultrajoebot
xkcd

Other places to find me:
me on the tumblr
me on the flickr
me on the formspring
me on the twitter
me on the ravelry
me on the myspace

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Wednesday, November 06, 2002
I really loved watching the documentary about the making of the cast recording of the original production of Sondheim's Company, but I can't imagine anyone else getting much out of it. I found it amazing, though. Having been obsessed with the songs for months now, and wishing I could have been around in 1970, it's the closest thing I'll get to ever actually seeing the original production. And Elaine Stritch is simply amazing. She's acting throughout every note. If you watch her face while other people are singing, while she's waiting for her cue, or while she's actually singing, it's just amazing. She's living every moment of it in a way none of the other people are. It's pretty awesome. My favourite part is when she can't get "The Ladies Who Lunch" right and they're doing take after take after take at 4 in the morning, and she's listening to a playback and she suddenly screams at herself, "SHUT UP!!!!!"